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Here is a gloss of some of the different terms used in Shakespeare's works and in describing the staging of the works among other terms that may need to be explained.

Glossary

  • Affective Power - ability to affect a spectator

  • Amphitheatre - open-ceilinged stage, outdoor, mostly built into the ground, mostly lower class spectators, cheaper

  • Balcony - tarras for use in plays that specified two levels

  • Blackfriars - indoor hall theatre

  • Blank Verse - sounds of poetry

  • Boxes - very expensive seating

  • Catharsis - notion of purging emotions that result from pity or fear with the purpose of allowing the viewer to work through the emotions in the theater and not behave like the hero in the 'real world'

  • Characters - moral qualities embodied in agents

  • Characterization - different types of people speak differently

  • City - Puritans who didn't like transvestite theatre; constituencies

  • Comedy - titles usually reflect a message, focuses on community, involves humor, always aims at resolution, rests on "positive understanding of human experience" (Krueger 2013), audience doesn't expect real harm to occur, audience is asked to laugh at the world, there is a happy ending, is related to the culture and customs of society.

  • Connotation - meaning of a word based on culture and context

  • Cost - Outdoor: Yard= 1 penny, Gallery= 2 pennies, Upper-Gallery= 3 pence; Indoor: Benches= 1 shilling, Boxes= 1/2 crown (2 shilling and 6 pence), Gallery= 6 pence

  • Costumes - very exuberant, expensive, flashy and usually obtained second hand

  • Cousin - kinsman, not child of aunt or uncle

  • Court - where the King and/or Queen held their court

  • Cross-Dressing - boys played girl's/female parts and wore women's clothing because during this period women were not allowed to perform

  • Denotation - definition of a word; literal meaning

  • Diction - word choice

  • Didactic - a moral or lesson

  • Discovery - shift from ignorance to knowledge, or love to hate, good to bad.

  • Discovery Space - space at the rear of the stage, hidden by a curtain, where characters could hide

  • Dramatic Irony - reversal of expectations; ex. "tragic figure's talent leads to destruction" (Krueger 2013)

  • Empty Space - where audience would have to imagine scenery and/or the stage being full

  • English Renaissance - rebirth of England

  • Fable (Plot) - things that happen in the story; may be simple or complex

  • Gallery - seating up over-looking the stage, used as required, sometimes by spectators and often as part of the play

  • Gatherers - ushers/ticket taker

  • Genre - drama (for Shakespeare)

  • Hall Theatre - enclosed performance space, attracted wealthier audience, more expensive, variety of seating

  • Hamartia - "error in action"; not inherent weakness (Krueger 2013)

  • Heavens - canopy that partly covered the playing area

  • Hell - beneath the stage which was accessed through a trapdoor

  • Hero - see Tragic Figure

  • Homonym - two words that are the same and have the same meaning

  • Housekeeper - person who looked after the house (theatre), property, and watched over franchises/investment in theatre space

  • Hut - an enclosed space that permitted hidden stagehands to create special effects and operate machinery for flying; above the tarras

  • Homophone - words that sound the same but are different words with different meanings

  • Iamb - a foot with an unstressed-stressed syllable: da-DA

  • Indoor (Private) Theatre - smaller, roofed, lit by candle/torches, more expensive, less seating

  • Liberties - neighborhoods where theatres were located, had more liberty across the Thames River

  • Master of Revels - censure of the time, censures what is produces to make sure they aren't disrespecting royalty or important people

  • Melody - pleasurable sound

  • Mode - subgenre of drama

  • Nice - Squeamish or delicate

  • Outdoor (Public) Theatre - no roof, attracts all sorts of spectators, open-air, more seating

  • Paradox - "the hero's gifts are also the cause of his or her fall" (Krueger 2013)

  • Pentameter - five feet

  • Peripety - reversal of fortune

  • Pit - in front of the stage, benches might have been there, in hall theatres (would be the yard in outdoor theatres)

  • Plot - see fable

  • Presentational Theatre - acting/performing in such a way that spectators remember they are actually in a theatre and watching a play, actors want you to remember that you are detached from the play

  • Private Theatre - see Indoor Theatre

  • Proper - handsome

  • Prose - not poetry, sounds like natural speech

  • Proscenium - stage part closest to the audience

  • Public Theatre - see Open Theatre

  • Representational Theatre - realistic portrayal, uses many props, is a replica of what is true of real life

  • Rhythmic Effects - musical effects through language

  • Scene (location) - where characters meet, interact and play

  • Scene (organizational unit) - break up of script after it has been written

  • Shareholder - people who invest in companies, theatre and the idea of theatre

  • Spectacle - pleasurable sight; horror and blood

  • Spectators - people who watch the play/spectacle

  • Stools on Stage - place where spectators could pay to sit on the side of the stage in an indoor theatre

  • Tarras - private viewing rooms for the wealthy

  • The Curtain - 1577, North of London, amphitheater

  • The Globe - outdoor amphitheater

  • The Rose - 1587 but was rebuilt in 1592

  • The Theatre - 1576, amphitheatre, north of London, first permitted playhouse in London

  • Thought - points made

  • Time (day) - time which play is actually, physically being performed

  • Time (play) - time in the play which is expressed through character lines, gestures, costumes and/or small props

  • Tiring House - dressing room; behind the stage, sometimes in separate buildings

  • Tragedy - title focuses on a specific character, focuses on "misfortunes of charismatic and powerful individuals" (Krueger 2013), rests on "unfavorable assessment of human experience" (Krueger 2013), shows human flaws/failure/misery/loss/self-destruction/etc., audience expects harm to occur, audience is asked to feel pity and benefit from the moral, unhappy ending; Standard definition: "a great person suffering greatly, and the heroic reaction of the tragic figure to extreme suffering commands immense respect and sympathy" (Krueger 2013); "an imitation not of persons but of action and life, of happiness and misery" (Krueger 2013).

  • Tragic Figure (hero) - not merely a victim of circumstance or environment; he is a capable agent

  • Tragic Flaws - ex. Pride, Jealousy, Ignorance, etc.

  • Trapdoor - access in the floor for the Hell

  • Transvestite Theatre - because boys played women's parts it became philosophical in that boys were embodying female aspects and the female gender so it affects the psyche 

  • Yard - general admission area located between the inner wall and the stage

Definitions courtesy of : Misty Krueger, Shakespeare's Dramatic Language 2013; Misty Krueger, Theatre a la mode 2013; Misty Krueger, Performances, Playhouses, and Players 2013.

 

Shilling 

Courtesy of Google Images 2013

Heavens

Courtesy of Google Images 2013

The Rose Theatre

Courtesy of Google Images 2013

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